A study led by a University of Kansas researcher found that countries with more stringent rape laws were less likely to experience civil strife and violence. Photo: Women read about their legal rights in a public awareness campaign in Benin, Nigeria, in 2011. "Even if the law significantly punishes perpetrators of rape, other factors like a corrupt police force or the victim encountering stigma in society," Avdan said, "can create a mismatch or a big gap between de jure and de facto policy, or between law and enforcement." The researchers examined the rape law legislation that was adopted in states across the world, but the study does not address other potential obstacles around rape law, such as the enforcement side and prevalent stigmas victims suffer, she said. The transmission of egalitarian rape law and criminalization of rape, like other ideas about liberty, self-determination, and physical integrity, have followed an evolutionary trajectory, Avdan said. Rape law can be another proxy to look at gender equality in society." "And we know that masculine norms tend to support militarism and militant nationalism as well. "Rape law showcases an angle about gender norms," she said. This showcases that the gender neutrality of the law correlates with progressive and liberal societal norms.Īvdan said their findings support research that has identified political liberalism and progressive, individualistic and emancipatory ideas, including gay rights, for example, as correlating with reduced propensities of armed conflicts. The researchers also found that states that establish similar sentences for female and male offenders alike also significantly decreased chances of an internal conflict. The researchers identified 13 states that experienced civil conflict or were prone to conflict:Īll but three - Liberia, Myanmar and Senegal - of those nations have in past decades reformed rape laws toward stringency and gender neutrality. "These ideas in turn mitigate civil conflict." "These norms cohere with ideas about peaceful conflict resolution," Avdan said. The researchers argue that for nations that have laws that are gender neutral in how they protect citizens, especially in granting equal protection and rights to women, the more likely the state's society will embody liberal and progressive norms. Countries with these policies – for example, Middle Eastern countries like Jordan and Lebanon but also other countries such as the Philippines - have received condemnation for not reforming these laws." "That is at its core a misogynistic policy. "A so-called marriage loophole is a situation when a perpetrator is married to a victim would exonerate the assailant," Avdan said. In other cases, some penal systems exonerate the assailant if he agrees to marry the rape victim. States that did little to punish perpetrators of rape likely include exemptions for the crime of rape if the perpetrator and victim are married, or possibly they treat genders differently under the law. The study addresses an expanding body of research that argues that gender inequality heightens the probability of intrastate conflict by creating a structure of violence.Īvdan said their study proposes the legal system and the penal code, especially punishment for rape, are the missing links between social norms and an intrastate conflict. It proceeds then that countries are more likely to adopt gender-neutral laws and stricter laws against rape," said Nazli Avdan, a KU assistant professor of political science and the study's lead author.Īvdan and her co-author, Victor Asal, chair of public administration and associate professor of political science at University at Albany, paired a statistical analysis of data on rape legislation for 194 states across the world from 1965 to 2005 with the number of intrastate conflicts or civil wars over that time span. "The transmission of rape laws across countries correlates with democratization and a general trend toward progressive laws. LAWRENCE – Countries that have longer punitive sentences for rape crimes are less likely to have civil war and strife, according to a new study led by a University of Kansas researcher.
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How auto-tune audio in AudacityĪudacity itself doesn’t contain a native auto-tune but with its increased VST functionality it is even easier to add any of the many auto-tune plug-ins available. Clicking on the cog icon next to the preset menu opens a pitch control slider to manually change pitch along with several preset voices which are also further adjustable. All these will have different effects on spoken word than on music, and the controls found in the advanced (cog) menu to the right of the selected preset allow you to move beyond presets altogether to make manual adjustments.ĪudioDirector also has a convenient preview toggle switch on many effects and transformation panes that shows up directly below the controls on many to give you more control editing panes, so it’s super easy to hear if it’s what you want before applying any effect.Īn alternative Pitch Correction tool is found in ‘Apply Effects’ in the Adjustment window. Then choose between pitch shifter, pitch bender, and Speech Pitch Contour which provides a moveable curve on the selected area of the track for fine editing of notes. In the adjustment window on the left of the screen select ‘Adjust Audio’. You can work on multiple tracks or individually. It’s a big subject, so let’s look at how to use the auto-tune feature in your favorite music-making software.ĬyberLink AudioDirector features several methods to modify voice, although none are actually called autotune. However, you do it, this detail must usually be entered again for every new element you bring in, including the plug-ins.Īuto-tune tools aren’t always called the same thing, some apps have built in versions, and many others support VST plug-ins. Or you can simply bring up a keyboard and find the tonic (root) note by trial and error. This information isn’t hard to find and there are plenty of tools online. It’s important to remember with all auto-tuners that they can’t correct for pitch if they don’t know what the pitch is supposed to be, so you’ll need to find out what key signature your project is in. When taken to the extreme, this shortening produces the sliding sounds so characteristic in certain genres. Although opinions differ, it cannot be denied how useful auto-tuners are to simply and easily correct ‘permanent’ mistakes in vocal recordings.Īuto-tuners in audio editing software work by reducing the distances between notes, which can bring slightly off ones into tune. Auto-tune is a much more flexible tool than you might think, and often listeners won’t even know it's there. From Kendrick Lamar to Frank Ocean, these artists were far more consistent towards the beginning of their careers. However, uber-successful artists sometimes become less consistent as their careers hit the mainstream. Artists Can Become Less Consistent After Success Call Me If You Get Lost sported billboards around Los Angeles, while Igor went with featuring a collection of brief music videos. If you like it, just put the s**t out.” Tyler has undoubtedly backed up these words with his previous rollouts. Tyler stated, “When artists put a snippet of a song on the internet and wait to see what people think of it…like no. He discusses this idea frequently during Converse All-Star interviews with Bimma Williams. Tyler, the Creator prefers to conceal information about his next album until it’s ready to be released. However, this rumor was curtly shut down by Tyler over Twitter earlier this year. Further, the phrase appeared on some of Tyler’s merch. DJ Drama can be heard repeating this phrase a few times on tracks such as “Sweet / I Thought You Wanted to Dance” on Call Me If You Get Lost. Rumors were swirling at the outset of 2023 about a record titled Welcome to the Disco. Will Tyler, the Creator’s next album be released this summer? Additionally, is there any insight into what the album will sound like? So far, we haven’t received any specific announcements from Tyler, the Creator or his representatives. Tyler Tends To Release A New Album Every Two Years Simply put, the scene clearly symbolizes his transition into a new era. It’s a stark contrast to the overt flexing throughout the original record. Tyler states, “ Sorry to the guys I had to hide / Sorry to the girls I had to lie to” amid somber production. Tyler apologized to the many people in his life who he hurt intentionally or unintentionally. This aligns with the narrative of the song. With his shirt off and sporting a minimalist outfit, the enraged look on his face implies that he’s fully ready for what’s next. He is beating up the Call Me If You Get Lost version of himself. The deluxe edition guides fans into Tyler’s new era, which seems far more grounded than the lavish nature of Call Me If You Get Lost.ĭuring the music video for the closing track “Sorry Not Sorry,” every era of Tyler’s career is visually portrayed. As aforementioned, The Estate Sale doesn’t solely serve as a leftover collection of tracks. For what he described as “leftovers,” the deluxe is surprisingly intimate and introspective. From the trap-heavy “Dogtooth” to the introspective “Sorry Not Sorry,” the B-side of Call Me If You Get Lost reaches the original project’s level. The Estate Sale has fans saying it’s one of the best deluxe hip-hop projects. “What form of upheaval would that create? I’d venture to say if we were met with this type of daily attack on our own people, we would take action in a way that hasn’t been seen since the Battle of Blair Mountain in West Virginia.Much of the narrative on The Estate Sale explicitly hints at a new era for the 32-year-old. “What if we were to constantly open up our daily paper and see a headline like ‘East Kentucky Man Shot Seven Times on a Fishing Trip?’” he asks. The album comes accompanied by a six-minute video from Childers which you can watch below, in which he contextualizes the album as a whole and asks listeners to support the #BlackLivesMatter movement. He describes the record as “a collection of instrumental pieces intended to create a sonic soundscape for the listener, to set the tone to reflect on the last track which is my own observational piece on the times we are in.” Kentucky songwriter Tyler Childers has announced the surprise-release of a new album titled ‘Long Violent History’. Ferzell Shepard, Scotlandville, 47.53.Ĩ00: Rhen Langley, Zachary, 1:51.55. Germain Smith-Mata, Warren Easton, 10.49. Thomas More, 184-7.ġ00 meters: Armani Cargo, John Ehret, 10.45. Javelin: Paul Catalanatto, Catholic, 201-9.25. Triple jump: Tristan Goodly, Westlake, 48-9.75. Ferzell Shepard, Scotlandville, 23-11.25. Long jump: Jorri Daniels, New Iberia, 24-6. High jump: Darnell O’Quinn, Helen Cox, 6-8. Shot put: Scott White, Riverside Academy, 54-7. Lafayette 9:44.46.ĭiscus: Hayden Christman Tioga, 183-1. Courtney Smith, Denham Springs, 45.13.Ĥ×100 relay: Zachary 46.03. Demetria Harris, Huntington, 14.25.ģ00 hurdles: Makeriah Harris, Scotlandville, 41.49. Catalina Reichard, Mount Carmel, 5:04.86.ģ,200: Catalina Reichard, Mount Carmel, 10:58.38. Jayla Mason, Lake Charles College Prep, 55.30.Ĩ00: Rachel Fereday, Dutchtown, 2:11.75. Jaala Thymes, Zachary, 24.56.Ĥ00: Hannah Boullion, St. Sade Gray, Scotlandville, 11.72.Ģ00: Sade Gray, Scotlandville, 24.35. Ambria Langley, Zachary, 142-11.ġ00 meters: Izayla Harris, Doyline, 11.66. Natalie Doiron, Mount Carmel, 12-0.ĭiscus: Jaydan Jackson, Zachary, 148-4. Addison Richey, Teurlings Catholic, 12-5.25. Pole vault: Lauren Roberts, Alexandria, 12-6. Javelin: Trinity Spooner, South Beauregard, 171-11. Long jump: Marley Richard, Destrehan, 19-4.75. Triple jump: Kerrington Baham, Covington, 39-0. Shot put: Jaydan Jackson, Zachary, 44-1.5. 3 discus throw (164-5).Īirline standout Jeremiah Boudreaux was just a half-inch from the top spot in the high jump, but his 6-7 ½ clearance stands third this spring statewide. He had the best state ranking among Caddo-Bossier boys with his 194-10 mark ranking second in his event. Local boys performers earning All-State honors were led by Benton javelin thrower Jeffery King. The state champion Lady Raiders were also third-best in two relays, the 4×100 (47.17) and 4×200 (1:38.66). In the 100 meter hurdles, Demetria Harris from Huntington ran a 14.25 best that ranked third statewide. On the girls’ All-State roster, Aniya Hill of Haughton had the state’s second-best discus mark, 147-0.īyrd’s Jenna Key posted the third-fastest 3200 meter time this spring (11:06.06). Performances from throughout the outdoor season – including district, regional and state meets - were assessed and the top three marks in each event, regardless of classification, were compiled to make up the 2023 LSWA’s All-State Track & Field Team. Six individual competitors and two relay teams from local high schools have earned All-State track and field honors from the Louisiana Sports Writers Association. AMONG THE ELITE: Byrd distance runner Jenna Key earned All-State honors with one of the state’s three best performances in her event, the 3200 meter run. |
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